There is a lot more to John Frankenheimer’s SECONDS than a synopsis or even first viewing can convey. First of all, what is it? Is it sci-fi à la The Twilight Zone or pre-Cronenberg body horror, or a thesis on man’s search for meaning? As it turns out, it’s a little bit of all of this, and maybe some other things, too. Beautifully photographed and masterfully paced and edited, Seconds turns a relatively simple premise into a tense and multilayered examination of purpose, meaning, and existence.
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